Movement (music)
Multi tool use
For a group of composers in the same style, see Composition school.
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena."[1]
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A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
— Benward & Saker (2009), Music in Theory and Practice: Volume II[2]
Sources
^ Spencer, Peter; Peter M. Temko (1994). A Practical Approach to the Study of Form in Music. Prospect Heights, IL: Waveland Press. p. 31. ISBN 9780881338065. OCLC 31792064..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
^ Benward, Bruce; Marilyn Nadine Saker (2009). Music in Theory and Practice. 2 (8th ed.). Boston: McGraw-Hill. p. 358. ISBN 9780073101880. OCLC 214305687.
Musical form and development
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- Arch form
- Argument
- Ausmultiplikation
- Bar form
- Binary form
- Bridge
- Call and response
- Cell
- Coda
- Conclusion
- Cycle
- Cyclic form
- Developing variation
- Drop
- Exposition
- Finale
- Formula composition
- Hook
- Introduction
- Lick
- Motif
- Movement
- Overture
- Period
- Phrase
- Recapitulation
- Repetition
- Reprise
- Rondo
- Rondò
- Section
- Sonata form
- Sonata rondo form
- Song structure
- Strophic form
- Ternary form
- Theme
- Thirty-two-bar form
- Through-composed
- Transition
- Variation
- Verse–chorus form
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